this music is for your daydreams - what colour they ever may have. take care of them, for they are your refuge, your inmost light. they are the heart of your sun.
PLEASE NOTICE: if you like what you hear, contact your local dealer or browse the web to buy some more. if you have a problem with one of these albums being online, let me know and it will be removed.
keep shining!
01. invocation (to secular heresies) 02. palms crossed in sorrow 03. romanz in moll (romance in minor key) 04. in the dying moments 05. in flagrante delicto 06. alocasia metallica 07. necropolis 08. the garden of earthly delights 09. the doctrine of eternal ice
graeme revell: all instruments sinan: voices on 4, 6 & 8 jan thornton: voice on 5 choir of the russian old orthodox church of sydney: voices on 1 & 4
the flower of byzantine culture was a hybrid, enriched with leaves of gold. the 5th century invasion of the western roman empire by the goths had plunged western europe into the dark ages. byzantium became the centre of civilisation and it now laid the foundation for the music of christendom through a fusion of elements, religious and secular, eastern and western. the blend off hellenistic (greek) with semitic (jewish) and arabic (persian) conceptions transmitted its influence into russia via bulgaria and later into western europe. it can be said that not a single musical instrument of mediaeval europe was native but that they were all imported from asia. the migration took place over several centuries and by various routes, of which the most important passed through byzantium and north africa. the much vaunted renaissance in italy was less a re-discovery of classical greek and roman concepts than an embracing of the enduring cultural legacy of the byzantine christian sects. the music and art of western europe blossomed once more upon the opening of the gates to the orient. wellesz, byzantine music and hymnography
GRAEME REVELL - MUSIQUE BRUT COLLECTION: 1.) THE INSECT MUSICIANS 2.) NECROPOLIS, AMPHIBIANS & REPTILES (THE MUSIC OF ADOLF WÖLFLI)
the insect musicians 01. nocturne (on an oriental theme) 02. the sleeping sickness 03. melancholia 04. la danse des ténèbres (dance of shadows) 05. veriation on the 'sakura' (japanese traditional) 06. nature morte (still life) 07. balinese twilights 08. phobia (an australian theme) 09. invaders of the heart 10. et spiritus sanctus
necropolis, amphibians & reptlies 01. necropolis, amphibians & reptiles 02. countess saladine 03. chimpnags-apes of the union canada: america 04. allgebrah 05. ebony tower in the orient: water fanfare no. 1 06. the bälli
01. black widow's kiss 02. mechanical sam 03. flipside 04. hey rainman 05. gone subterranean (parts 1 and 2) 06. it'a just a job 07. never say never 08. treehugger (parts 1 and 2)
edward ka spel: voice / instruments raymond steeg: mastering / sound wizardry
01. aaΔzhyd china doll 02. flesh parade 03. the qa'spell 04. the unfortunate demise of the fabulous puccino brothers 05. nuts in may 06. traitor's gate 07. blowing bubbles (part III) 08. the fool 09. the witchfinder suite (parts I-VI)
01. burning rainbows 02. the telling 03. eye under ice 04. hear not here 05. descent
...time's landscape. the gradual unfolding of terrain. the sound of rainbows burning. wisps like little kayaks, trailing origins in their wake. the innert flowing. fluid arcs over frozen water. patterns etched into distance. thought's light traces. have our lives lost the component that compelled our ancestors to travel?
01. hollow flight 02. groundswell 03. cires divam 04. snake of earth 05. omaneska 06. deserted shadows 07. looking... not finding 08. circling globes 09. talking to a stick 10. still, so still 11. a softer light
time had no meaning. it was gone. the dust of it lay at my feet, disturbed now and again by strange winds that eddied around the ancient rocks i stood upon. the sky, if one could call it that, threw fitful spasms of light and dark. the fires of the borderlands. RELEASE ENTERTAINMENT RE6978-2 RAPOON
Thursday, October 21, 2010
PROPELLER - RAME
01. - 34. untitled
music by marc spybey mixed and mastered by jean-yves thériault
set machine for random play, send suggested play list: scratch records
01. yan. the silver gate 02. tan. in my secrecy i was real 03. tithera. feel the warmth 04. mithera. this moment obscure 05. pim. a democratic smirk 06. lethera. come infinite 07. methera. thin air 08. yethera. cahl-yn-yan 09. tethera. static fields 10. teck. ciels ténébreuse
01. mit zebras rennen 02. in die nacht 03. höhepunkt kleiner mann 04. kopfüber in den gulli 05. spanische fliege 06. unter fliegenden tassen 07. regenwald 08. park und guter morgen
asmus tietchens: synthetics, komposition
das zeitzeichenorchester hans tim cessteu: synthetics mischa suttense: rhythmbox tussischemante: effekte, chor auf 2/3 stu 'snatch' seemi: digitale synthetics
tina tuschemess: cover rokko ekbek: produktion tücke dynger: logistik
'sbas yul' (or be yul) are the 'secret lands', the 'hidden', the 'promised lands' in the tradition of the countries of tibetan (böd) civilization and the ancient cultures of the ri gyal, literally the 'victorious mountains' - skt. himalaya. 'sbas yul' is an invitation to travel in these lands with their pagan rituals, dionysiac dances and seasonal orgies. the name sbas yul conjures up the fascinating nature of these hidden lands where one would like to take refuge from the madness ravaging the world.
the title 'ghazels' (also 'ghazal' or 'ghzali') refers to 'beautiful girls' ('Beauties') as well as lyrical poems, love poems or love chants and comes from the great persian lyrical poet shemseddin hafiz who described his 'ghazels' in such way: 'at the hour of parting, by going away far from you, my eyes came empty of light by dint of weeping.'
